The product of the project activity on music is the Memo "A quick pencil in the margins of A. Pushkin's manuscripts." Book: E. Muse “Quick Pencil Quick Pencil on the Margins of His Manuscripts”

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DRAWINGS by A.S. PUSHKIN

Monument to Falconet. Pushkin and Onegin.

Beginning of November 1824 Illustration for the first chapter.

Compiled by Konovalov S., grade 8B

« PUBLICATION DESIGN»

Prisoner of the Caucasus

The hero of the poem is a fugitive, a “renegade of the world”, who left his “native border”, led by the “cheerful ghost of freedom.”

"The Tale of the Golden Cockerel"

Design of the title page (1834)

MBOU "Secondary School No. 35"

"Quick Pencil"

in the margins of manuscripts

A.S. Pushkin

Pushkin loved the term “fast” and used it more than once. Pushkin also uses the same word in relation to the artist: “Take your quick pencil, draw, Orlovsky, night and slash.” A quick pencil is an image that perfectly matches Pushkin’s own style, equally light, swift, flying both in the outline of letters and in numerous sketches.

SELF PORTRAITS Self-portrait (in a circle).

1817-1818

The earliest. Intended for the poet's first book of poems.

1824 Self-portrait

on a sheet pasted into the album of the Ushakov sisters

BEAUTIFUL LADIES

October 1833. Boldino.Pushkin painted more than once Natalya Nikolaevna Goncharova -

there are 14 portraits of her, from 1830 to 1836. Elizaveta Ksaverevna Vorontsova (1792-1880), wife of the Novorossiysk Governor-General gr. M. S. Vorontsov, who expelled Pushkin from Odessa in 1824 The main reason

Pushkin's expulsion was probably due to Vorontsov's jealousy of him. Anna Petrovna Kern
((1800-1879), - addressee of Pushkin's most famous love poem -

"I remember a wonderful moment") but she was phenomenal. One of the greatest poets in the world, the founder of the famous Russian prose of the 19th century, a remarkable innovative playwright, an outstanding literary historian and literary critic, he was also the author of letters that were unique in their clarity and conciseness of thought, spontaneity and brilliance of form. The smartest political thinker was combined in him with a wise historian. He knew how to look not only from the point of view of the advanced thought of his time. Ahead of his time, Pushkin was worried about social problems that have become the focus of our era. A great humanist, he wrote about eternal peace, rebelled against the oppression of man by man, and was indignant at the discrimination against blacks. The wealth of this amazing personality is incredible. Alexander Sergeevich Pushkin (June 6, 1799 - February 10, 1837)

Graphics by Pushkin a The graphics of Pushkin a were also extraordinary. And although this area was just an amateur for the poet, the amateur turned out to be a genius here too. The power of the artistic influence of Pushkin’s drawings is irresistible - the stroke is so free and artistic, the line is so plastic. In rapidly sketched or thoughtfully drawn drawings, the poet displays extraordinary expressiveness, sharp characterization, cheerful caricature or the most tender lyricism. Pushkin's manuscripts, with his constant companions of rough sketches of poems - drawings, bring to mind the description of Onegin's album, drawn by the poet as if from life: It was covered with writing, drawn all over by Onegin's Hand. Between the incomprehensible mess Flashed thoughts, remarks, Portraits, numbers, names, Yes, letters, secrets of writing, Excerpts, draft letters, And, in a word, a sincere journal, into which Onegin poured out his soul in his younger days...

The main characteristic features of Pushkin's graphics Sketches are a reflection of the dual nature of the creative process of the work of the poet and artist.

A little about Pushkin's graphic drawings Pushkin's drawings appear mainly around poetic texts, but they do not always accompany them. Some works absorbed the poet so much that no extraneous thought distracted him from his work. The subjects of the poet's drawings are varied. Instant sketches - trees, bushes, women's legs, boats, birds, horses - are born at that moment when the poet's head is crowded with images, and the brain is still too excited to compose poetry, when “fingers reach for the pen, pen for the paper, minute - and the poems will flow freely...” Landscapes are occasionally found in Pushkin's drawings. They seem to be as faithful a reflection of what was seen as images of people, which are almost always portraits. The poet's acute sensitivity sought an outlet for expressing the majestic impressions that had sunk into his consciousness - both in drawings and in poetry. From time to time, ornamental sketches appear in Pushkin’s manuscripts, similar to an ornate stroke of a pen. Pushkin's art of graphics has the properties of the word art of the great poet. His drawings are laconic, precise, expressive and extremely flexible.

Thank you for your attention!

Pushkin's genius was phenomenal. One of the greatest poets in the world, the founder of the famous Russian prose of the 19th century, a remarkable innovative playwright, an outstanding literary historian and literary critic, he was also the author of letters that were unique in their clarity and conciseness of thought, spontaneity and brilliance of form. The smartest political thinker was combined in him with a wise historian. He knew how to consider historical phenomena not only from the point of view of the advanced thought of his time. Ahead of his time, Pushkin was worried about social problems that have become the focus of our era. A great humanist, he wrote about eternal peace, rebelled against the oppression of man by man, and was indignant at the discrimination against blacks. The wealth of this amazing personality is incredible. Alexander Sergeevich Pushkin (June 6, February 1837)

Pushkin's graphics Pushkin's graphics were also extraordinary. And although this area was just an amateur for the poet, an amateur turned out to be a genius here. The power of the artistic influence of Pushkin’s drawings is irresistible, so free and artistic is the stroke, so plastic the line. In rapidly sketched or thoughtfully drawn drawings, the poet displays extraordinary expressiveness, sharp characterization, cheerful caricature or the most tender lyricism. Pushkin's manuscripts with his constant companions of rough sketches of poems and drawings evoke the description of Onegin's album, drawn by the poet as if from life: It was covered with writing, painted all over by Onegin's Hand. Between the incomprehensible mess Flashed thoughts, remarks, Portraits, numbers, names, Yes, letters, secrets of writing, Excerpts, draft letters, And, in a word, a sincere journal, into which Onegin poured out his soul in his younger days...

The main characteristic features of Pushkin's graphics Sketches are a reflection of the dual nature of the creative process of the work of the poet and artist. The poet’s drawings are unprofessional, but “the amateur turned out to be a genius here too” (T.G. Zenger - Tsyavlovskaya). They are characterized by an unchanging style - “quick pencil” (E.V. Muza, 1974), the origins of which should be sought in the handwritten magazines of the Lyceum with caricatures by Alexei Illichevsky: “His graphics are not very diverse in genres, but are extremely diverse in people. It is, first and foremost, portraiture.” Each person depicted by Pushkin the draftsman has “its own graphic formula” (A.M. Efros, 1945) just as in chemistry each molecule has its own graphic formula. His graphics are self-portrait - he depicted his face over 50 times.

A little about Pushkin's graphic drawings Pushkin's drawings appear mainly around poetic texts, but they do not always accompany them. Some works absorbed the poet so much that no extraneous thought distracted him from his work. The subjects of the poet's drawings are varied. Instant sketches of trees, bushes, women's legs, boats, birds, horses are born at that moment when the poet's head is crowded with images, and the brain is still too excited to compose poetry, when “fingers reach for the pen, pen for the paper, a minute and poetry will flow freely..." Landscapes are occasionally found in Pushkin's drawings. They seem to be as faithful a reflection of what was seen as images of people, which are almost always portraits. The poet's keen sensitivity sought an outlet for expressing the majestic impressions that had sunk into his consciousness both in drawings and in poetry. From time to time, ornamental sketches appear in Pushkin’s manuscripts, similar to an ornate pen stroke. Pushkin's art of graphics has the properties of the word art of the great poet. His drawings are laconic, precise, expressive and extremely flexible.

• Information project:

• Project author: art teacher
• Sirota O.N.
• Armavir

• Project goals: Discover a new side of creativity
• A.S. Pushkin.
• Deepen your understanding of A.S. Pushkin
• not only as a great Russian poet, but also as a genius
• draftsman;
• Develop creative and exploratory
• capabilities, emotional perception beautiful;
• Cultivate a sense of beauty and pride
• and involvement in the heritage of great Russian creators.
• Plan:
• 1. Immersion in the problem;
• 2. Collection and processing of information on the project topic;
• 3. The final stage of the project.

• “The service of the muses does not tolerate vanity; the beautiful must be majestic”

• Pushkin- this word is immeasurable in its content. It doesn't need epithets, but it's a whole world. We can talk about him endlessly. Pushkin is a phenomenon not only in Russian and world literature, but also in art.
• Therefore, the word naturally appeared “Pushkiniana”- What is this? (there is Pushkinian literary, musical, artistic).
• -Do you like to draw in the margins of notebooks?
• -But Alexander Sergeevich did it brilliantly! I ask you to see this for yourself during the course of our project.

• 1. Immersion in the problem

• There are many drawings by A.S. Pushkin. Several hundred portraits: loved ones, friends, acquaintances, statesmen, historical figures, writers, self-portraits. There are illustrations for my own works. Single landscape sketches. Sketches of birds, horses, trees. The strokes are magnificent in their rhythm and plasticity, sometimes even turning into images. Drawings cover the poet's manuscripts.
• His manuscripts often contain vignettes, endings, cover designs, and sketches of illustrations. A subtle connoisseur of Pushkin’s graphics, A.M. Efros, defines its content as follows:
• “...This is a diary in images, Pushkin’s visual commentary on himself, a special record of thoughts and feelings, a kind of report about people and events.”

• Pushkin himself did not highly value his
• appearance:
• Why does your marvelous pencil draw my Arab profile?..

• Pushkin knew his face perfectly; in his self-portraits the most varied shades of it were captured and conveyed. state of mind. There are portraits of memories: in them he imagines himself in his youth. There are portraits where he tries to look ahead and imagine the appearance of his old age. There are humorous, deliberately funny images.

• Self-portrait (in a circle).
• 1817-1818 The earliest. Intended for the poet's first book of poems.

• Period of reference in
• Mikhailovskoe 1824

• Pushkin and Onegin. 1824 illustration for the first chapter of "Eugene Onegin".

• Self-portraits

• 2. Collection and processing of information on the project topic:

• Pushkin. Full-length self-portrait,
• in a cap, with a cane

• January 1826

• Self-portrait on the manuscript of the chapter “Eugene Onegin”

• Among the incoherent mess Thoughts, remarks flashed, Portraits, numbers, names Yes, letters, secrets of writing... A.S. Pushkin "Onegin's Album"

• About sixty self-portraits of Pushkin are known. They are the most important part of his graphics. Throughout his life, the poet looked at his features with passion and noticed in them the subtlest nuances of the changes that were taking place. His sketches, mostly not intended for prying eyes, far from self-delusion, can tell a lot.

• Two portraits are on one sheet, one under the other. They were made by Pushkin upon his return from exile. Above is young Pushkin. His appearance is not overshadowed by anything. He looks at life carefree. Below is a man of young, but already mature years. “...This is Pushkin, who has lost his former courage and acquired distrust of people,” writes T.G. Tsyavlovskaya. The youthful softness and spontaneity in facial expression disappeared. The features became somewhat sharper, the gaze became more wary, the chin became firmer, and a fold appeared at the lips. Behind these changes are the disappointments and losses experienced in exile: first, separation from friends, then forced solitude in the village, a difficult relationship with his father, under whose supervision the poet was in Mikhailovskoye. Finally - the disaster of 1825, arrests, execution, exile of dear and close people. The contrast of the portraits on one sheet is quite consistent with the characteristic comparisons in the poet’s poems of that time: disappointments and hopes, past and present, memories and thoughts about the future.

• The drawing was born under a column of numbers of some kind of monetary calculations. The poet's face shows fatigue and depression. “If it were necessary to look for a special conclusion for the entire huge autobiographical series,” writes A.M. Efros, “then it would be impossible to find anything more expressive. Even if such a graphic ending is an accident, it is significant. It is true and deep. This unfinished profile, born of monetary arithmetic in 1836, is a true symbol of the last segment of Pushkin’s life..."

• The last self-portrait

• Enchanted by a powerful passion, I remained by the shores.

• Elizaveta Vorontsova - wife of Count M.S. Vorontsova.
• One of the charming women of her time. Vorontsova’s passion left a deep mark on Pushkin’s work. When Pushkin left Odessa in 1824, Vorontsova gave him a ring - a talisman with a carnelian signet. The ring was still on him on the day of his last duel.

• Muses of Pushkin

• 1829

• Pen and ink drawing on the manuscript of The Bronze Horseman. We see a thin young profile with raised and slightly knitted eyebrows, a head with a modest homemade hairstyle, and a long thin neck. There is something touching and a little helpless in the appearance of Natalia Nikolaevna. Pushkin painted Natalya Nikolaevna more than once - there are fourteen portraits of her, from 1830 to 1836. This portrait is the most expressive, the most psychological and the most beautiful. It is from this Pushkin portrait that we imagine the appearance of Pushkin’s wife - better than from the only portrait of her, contemporary with the years of her marriage to Pushkin, watercolor by Alexander Bryullov.

• N.N. Pushkin. Oct. 1833

• Drawing on the manuscript

• Portrait on the back of the bill

• This is a drawing by the poet himself on the back of the invoice of the publication of the almanac * “Northern Flowers”. The drawing was made in 1832 on their wedding anniversary. The young wife is depicted in a dress with puffy sleeves and a high hairstyle. Behind, on the left, the poet began to draw himself, but then shaded what he started.

• 1832

• *Almanac / German Almanach – calendar, yearbook/. Non-periodic literary collection of works by various authors.

• My wishes came true. Creator
• Sent you to me, my Madonna,
• The purest example of pure beauty.

• In Pushkin's graphic heritage there is a series of drawings that appear among the drafts of poems, poems, and dramas. These “illustrations” are interesting psychologically. The drawings in the margins of the poem “The Wanderer,” while maintaining spontaneity and sketchiness, have the features of authentic illustrations. In addition to the chest-length image of a wanderer with wide-open eyes and a hand extended to his face, visibly expressing poetry: - the poet also made an expressive composition: a wanderer in a depressed pose and a wife judiciously reasoning with him.

• Then: “Don’t you see, tell me something,” the young man said to me, pointing into the distance with his finger. I began to look with a painfully open eye...

• The drawing takes up the entire large leaf manuscripts. Exposition "The Stone Guest". Don Guan's secret return from exile. Don Guan waits for darkness under a tree so that “covering his mustache with a cloak and his eyebrows with a hat...”, enter the city from which he was expelled. In the future - the outlines of Madrid. Fortress wall. In the distance are the tall silhouettes of church spiers. The drawing was made not in a creative impulse, but during the rewriting of the drama. Perhaps such an illustration appeared in the poet’s imagination when he was thinking about publishing “The Stone Guest.”

• Drawing for the tragedy "The Stone Guest".

• P.I. Pestel. Drawing by A.S. Pushkin in the margins of the manuscript of the 4th chapter of the novel “Eugene Onegin”, October 1824, Mikhailovskoye

• Pushkin's genius was phenomenal... The riches of this amazing personality are incredible. Pushkin’s graphics were also extraordinary. And although this area was only an amateur for the poet, the amateur turned out to be a genius here too.
• (T.G. Tsyavlovskaya)

• 3. Final stage of the project:
• What new have we learned about the poet’s work?

• Let this be another wonderful meeting with the world of Pushkin for each of you! May inspiration often visit your souls...

• Internet resources:
• http://literatura5.narod.ru/pushkin1.html
• http://nestoriana.wordpress.com/2012/12/10/ushak/
• http://www.tphv-history.ru
• http://ricolor.org/
• http://www.proshkolu.ru
• http://artclassic.edu.ru/
• http://www.tanais.info
• http://www.liveinternet.ru
• http://www.valdub.ru
• http://alkruglov.narod.ru
• http://www.liveinternet.ru